No doubt about it... I was just lucky having my camera out, messing around while my son was writing alphabets, snapped a few shots, and got this keeper. Regardless, I'm proud.
Since it's warmer now, we wanted to take our son to see the Disney magic at night... specifically the fireworks and World of Color in the California Adventure theme park. It's a bit of challenge for the M9 since it doesn't excel in low light situations. Boosting the ISO above 800 can introduce noise and longer shutter time can cause camera shakes and subject movement. However, I tried to take what's given and make the best of it by taking some long-shutter shots to capture the movement of people. Can't say I'm super successful, but it was fun to try :) As we were sitting down to wait for the World of Color show, I set the zone-focus at around 2-5 meters and just waited for people to walk by.
It was very crowded because it coincided with various high school's "grad night", where senior can stay in the park all night long. I couldn't quite capture the magic of the color water fountain show. Well, here's some more shots from the night...
Even Superman has homework...
No, he doesn't really get homework from school... but more of something imposed by me. Just practice writing numbers, letters, and light spelling. One thing I've always been curious about is just how much is he supposed to know at his age and if there's any harm in me trying to teach him something too soon?
走走, 走走 (Taking a stroll)...
After what seems like a quick visit to hell, the heat wave seems to have passed. Today after dinner, we took a cool evening stroll to enjoy the quick respite before summer roars back again.
Disneyland, with 50'Lux...
Continuing my experiment of using one single lens at a time while visiting Disneyland... This time, I mounted the 50'Lux, undoubtedly my favorite lens. However, I tend to try to not make it my go-to lens because it's almost too easy. The normal focal length is easy, it renders so beautifully that I usually have to do very little post-processing.
It was an almost summer-like hot day... so I had a 3-stop ND filter on almost all day long, and didn't remove it until near the evening. I shot mostly at wide-open aperture, but since the M9 "guesses" the aperture value, the ND filter throws it off by about 3-stops. Just something to note if the meta-data shown on the image borders doesn't seem quite right.
After coming back home and going through the shots, I did noticed that I took a lot more portraits than I would have if I had the 28'Cron. If you're intersted, the full set can be view [HERE].
A Leisure Walk...
Nice warm spring... After dinner, before the sun fully set, we took a walk around block... SoCal Living!
Leica 28mm Summicron ASPH
It's been a while since my last gear review... mostly because I'm not really qualified, but since some people have asked, I thought I'd write a few words give some personal impressions of this lens.
First, some basic information. 28mm is the widest focal length on a full-frame Leica M camera that you can use with built-in framelines, if you don't want to bother with external viewfinders. Leica shooters have long argued the advantage of having a fixed magnification viewfinder with framelines is better than liveview viewfinders (You see exactly what the sensor see) is the ability to see outside of the frame, allowing the photographer to better compose and anticipate action. Well, 28mm is kind of pushing it, because you don't really see much outside of the frameline and for someone wearing glasses, you might have trouble seeing the entire frameline easily.
What's up with the hood?
Well, most 28'Cron owners will complain about the giant hood that Leica has paired with this lens. They did release special rounded hood for 28mm later, part #12466. In my own experience, I don't really mind. I bought an aftermarket 46mm screw-on hood, but never really used it. The hood is also thicker than other hoods I've seen, so it will offer solid protection against accidents. My only complaint is the large hood takes up a lot of room in the bag. I suspect the reason for the large hood is the problem with vignette. In less than ideal lighting (dark), I find the 28'Cron can sometimes show pretty heavy vignette, even with the large hood. However, since I often add in artificial vignette in post-processing, I actually like it. If you take the hood off, then the lens seems much more normal and diminutive.
What about image quality (IQ)?
Now we're talking. I've tried several other lenses before settling down with the 28'Cron, namely the Leica 28mm Elmarit-M and the Zeiss 25mm Biogon. In the end, I just felt that I needed a faster lens for in-door situations. Once I tried out the 28mm'Cron, I quickly sold the others because I love the images I get from it. The 28'Cron has a much deeper depth of field than I'm used to on a 35mm or 50mm lens. Even with the aperture set at f/2 and shooting a close subject, the background will never get blurred out of existence. For that reason, I love it for environmental shots where the background is just as important as the foreground, and I won't be afraid of shooting with f/2 all the time because I know the background still show up. Chromatic Aberration (CA) is also well controlled when shooting wide open. I can't quite pin point it, but it has its own character when rendering an image... it's plenty sharp and very contrasty.
28mm is not extremely wide, so I often shoot with it all day long when going outdoors. You can still get a normal-like shot if you just take a few steps closer, and I don't find distortion much of an issue. Some street shooters actually prefer the 28mm focal length. Beside being wider, it's deeper depth of field also means there is less of a chance of missing critical focus. If you look at the distance scale image, you can easily set a zone-focus between 2-5 meters for f/4, or change the aperture to f/8 and get the hyperfocal distance to start from close to just 6 feet away! That's extremely useful when you don't have much time to carefully focus on your subjects. While I wouldn't recommend this to be your one and only lens, I think this will make a great pair with a fast 50mm, like the 50'Lux.
So that's it. My search is over and the 28'Cron is here to stay. Nowadays, if I'm going out with a single lens in mind, I'll take the 35'Cron for day and 50'Lux for night, otherwise, it's pretty much always the 28-50-90 combo, and I'll mount the 28mm first. I've started tagging my posts with the lenses used, so if you wish to see some sample images, you can just click on the "28'Cron ASPH" tag on the right side of the page.
Toys are definitely better when playing with others.
I knew my son love the truck, but I don't think he's had this much fun with it untill his cousins visited us today. Together, they've caused quite a ruckus in the backyard.
Since it was the "Golden Hour", I had my camera out to take a few snaps. Homemade orange popsicles was a nice touch :)
My Journey into Leica...
A path not to be taken lightly, not without reservations, and not without dedication, but the results can be sweet, OH SO SWEET! This is a documentation of my trials and tribulations into the world of Leica Rangefinder Photography, and I hope you'll enjoy coming along with me.